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November 2017

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[#hack66] Community Media, Community Art Production And Democratic Knowledge
by Orestis Tringides 15 Nov '17

15 Nov '17

[image: neme-logo] <http://www.neme.org> www.neme.org <http:www.neme.org/> Follow us on Twitter <https://twitter.com/nemeorg/>, Facebook <https://www.facebook.com/NeMeArtsCentre/> or G+ <https://plus.google.com/112320566517565607455> NeMe contact <http://www.neme.org/contact/> If this email is not displaying correctly, view it in your browser <http://news.neme.org/1829/community-art-production>. *FB EVENT: https://www.facebook.com/events/128038487879648/ <https://www.facebook.com/events/128038487879648/> * *RESPUBLIKA! : http://respublika.neme.org/ <http://respublika.neme.org/> * [image: Community Media, Community Art Production And Democratic Knowledge] Within the framework of *Respublika! A Cypriot community media arts festival* curated by Prof. Dr. Nico Carpentier and the current exhibition Open Community – Open Networks <http://news.neme.org/1828/open-community-open-networks> featuring the collaborative works of *Christoph Wachter and Mathias Jud*, NeMe <http://www.neme.org> is pleased to invite you to the seminar *COMMUNITY MEDIA, COMMUNITY ART PRODUCTION AND DEMOCRATIC KNOWLEDGE.* The artistic-democratic capacities of communities and their organisations are often underestimated and neglected, pushed aside by traditional top-down structures, and leadership, expertise and professional models. These power imbalances incapacitate the communication and expressive rights of communities, dissuade them from tapping into their creative and democratic reservoirs, and restrict their abilities for self-representation. In contrast, the empowerment of communities to express themselves, beholds the promise of the democratisation of a variety of social fields, including those of media and the arts. Particular organisational structures, such as, for instance, community media organisations or arts centres, can play a vital role in contributing to the equalisation of the power relationships in these fields, by sharing their artistic-democratic knowledges and by respectfully providing support in facilitating artistic-democratic processes. This does not imply that one should u ncritically celebrate communities, and that one can assume that they will automatically maximise their artistic-democratic potential. Communities are complex, multi-layered and contradictory social entities, characterised by the presence of a variety of ideologies, some of which are problematic from a democratic perspective. Also the positions of the different actors such as facilitators and experts, creates tensions that are potentially creative, but that can quickly digress into populist models (rejecting expertise) or top-down models (rejecting the ordinary). This seminar aims to critically explore the artistic-democratic capacities of communities and their organisations, identify problems, obstacles and restrictions, and look ahead at the conditions of possibility for the continued democratisation of the social and its many fields. (Nico Carpentier) *Date and time:* Friday 24/11/2017, 6.30-8.30 pm *Venue:* NeMe Arts Centre, corner of Ellados and Enoseos streets, 3041, Limassol *Moderator:* Nico Carpentier *Speakers:* Vuc Ćosić SI, Pascal Gielen NL, Helen Hahmann DE, Nicos Trimikliniotis CY Vuk Ćosić: From Nettime via Syndicate to 7-11 Vuk Ćosić is one of pioneers of internet art, frequently exhibits (Whitechappel, London; Venice Bienial; Habana Bienial; Manifesta, Zurich; ICA, London; Beaubourg, Paris; Reina Sofia, Madrid; Garage, Moscow; ICC, Tokio; Kunsthalle, Vienna; Digital Artlab, Tel Aviv; ZKM, Karlsruhe; Ars Electronica, Linz; Castello Rivoli, Torino; Walker, Minneapolis; Postmasters, NYC; Friedricanum, Kassel; Neue Galerie, Graz; IAS, Seoul; Baltic, Newcastle; Moca, Oslo; Barbican, London, Cabaret Voltaire, Zurich…) and lectures (Museums: Beaubourg, Paris; Guggenheim, Venice; CCA, Glasgow; Thing, NYC; LAMoCA, LA; Festivals – Hong Kong, London, Liverpool, Dessau, Montreal, Banff, Madrid, Gorizia, Copenhagen, Barcelona…; Art schools and Universities- Stockholm, Los Angeles, Chicago, San Francisco, Troy, Dundee , Liverpool, Venice, Linz, Barcelona,…). Subject of numerous BA, MA and PHD theses (universities of Rome, Sao Paolo, Leeds, Manchester, Bruxelles, Trieste…), media coverage (NY Times, Liberation, La Repubblica, Guardian, Financial Times, Cahiers du Cinema, Artforum, Newsweek, Wired, Haaretz, ORF, CNN, BBC…) as well as key publications on new media (MIT press, Thames & Hudson, Tate, Taschen, Baltic…). Pascal Gielen: How can artists stay autonomous, and keep their creativity alive in the contemporary society? Pascal Gielen is professor of sociology of art and politics at the Research Center Arts in Society (Groningen University – the Netherlands) and at the Antwerp Research Institute for the Arts (Antwerp University – Belgium). He is editor in-chief of the international book series ‘Arts in Society’. His research focuses on the institutional context of the arts and on cultural politics. Gielen has published many books which are translated in English, Korean, Portuguese, Russian, Spanish and Turkish. Helen Hahmann: Highjacking Radio Art. Artistic practice in Community Radio Helen Hahmann is a radiomaker and ethnomusicologist from the Community Radio Station Radio CORAX in Halle/Saale, Germany. Currently she works as communication coordinator for CORAX. She´s been coordinating the International Radio Art Festival Radio Revolten in 2016 in Halle/Saale, where she also actively took part as a musician in several performances. She´s been a member of the board of Radio CORAX for eight years. As coordinator she is also organizing festivals, conferences and EU-projects to strengthen the role of community radios in societies. Nicos Trimikliniotis: Beyond austerity citizenship and nationalistic communalism in Cypriot ‘community media’: social media, digitalities and emancipation – towards a mobile commons Nicos Trimikliniotis is Professor of Sociology and Social Sciences, at the School of Social Sciences, University of Nicosia. He heads the team of expert of Cyprus team for the Fundamental Rights Agency of the EU. He is also a practicing Barrister. He has researched on integration, citizenship, education, migration, racism, free movement of workers, EU law, discrimination and Labour Law. He is the National Expert for Cyprus for the European Labour Law Network. He is part of the international team on world deviance, which produced Gauging and Engaging Deviance 1600-2000, Tulika press (2014) and its’ sequel Scripts of Defiance (2017). Selection of Publications: Mobile Commons, Migrant Digitalities and the Right to the City, Pivot, Palgrave Macmillan, 2015; Beyond a Divided Cyprus: A State and Society in Transformation, Palgrave MacMillan, 2012; The Nation-State Dialectic and the State of Exception, Savalas, Athens, 2010; Rethinking the Free Movement of Workers: The European C hallenges Ahead, Wolf Legal Publishers, Nijmegen, 2009. Support Vrije Brussel Universitat, Uppsala University, CCMC *Sponsors:* [image: moec] <http://www.moec.gov.cy/politistikes_ypiresies/> [image: medochemie logo] <http://www.medochemie.com/> [image: Sheila Pinkel] <http://sheilapinkel.com/> Please do not reply to this email. Should you wish to get in touch with us, you may do so by using our online form on www.neme.org/contact/ You are receiving this message because your email is in the NeMe database. If you do not wish to receive emails from us please go to news.neme.org/newsletter-unsubscribe/ and enter your email to unsubscribe. Once you do that, your name and email will be completely deleted from our database. -- wbr / μφχ, Orestis Tringides / Ορέστης Τριγγίδης Vrije Universiteit Brussel <https://www.vub.ac.be> | Cyprus Community Media Centre (CCMC) <http://www.cypruscommunitymedia.org/> | IKME Socio-Political Studies Institute <http://www.ikme.eu/> | Join2Media <https://www.facebook.com/join2media> | Old Nicosia Revealed <https://www.facebook.com/old.nicosia.revealed> | *Respublika!* <http://respublikafest.org/> A Cypriot community media arts festival (Dec. 2017 - Jan. 2018) Facebook <https://www.facebook.com/orestis.tringides> | LinkedIn <https://www.linkedin.com/in/orestistringides> | Twitter <https://twitter.com/orestist> | Skype: orestis.t On 1 November 2017 at 01:07, nee <neeuqii(a)gmail.com> wrote: > See you maybe Friday at the Lefkoşa Hackerspace, 7:30 onwards > > quick gdrive link in case the attachment fails: > https://drive.google.com/file/d/0B9yJvJmAkJv- > dTI1VWkwTjRFRDF6YVlmeXdWU2VOQWROZjlV/view?usp=drivesdk > > zZzZzzC > > Attached the English and German text and statistics about our findings > in the BLACKLIST project. > > -- > Christoph Wachter & Mathias Jud > Landsberger Allee 61 > 10249 Berlin > Germany > contact(a)wachter-jud.net > http://www.wachter-jud.net > skype: math.jud > > > > _______________________________________________ > hack66 mailing list > https://lists.hackerspace.gr/listinfo/hack66 > >

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[#hack66] these guys read our article on Internet censorship capabilities in Cyprus. I sent it to them after they mentioned making censorship measurements in the north with interesting results! They'll share their analysis soon, I hope. In the meantime this is an example of their previous work on the topic --Fwd: BLACKLIST analysis of Swiss Internet censorship
by nee 01 Nov '17

01 Nov '17

See you maybe Friday at the Lefkoşa Hackerspace, 7:30 onwards quick gdrive link in case the attachment fails: https://drive.google.com/file/d/0B9yJvJmAkJv-dTI1VWkwTjRFRDF6YVlmeXdWU2VOQW… zZzZzzC Attached the English and German text and statistics about our findings in the BLACKLIST project. -- Christoph Wachter & Mathias Jud Landsberger Allee 61 10249 Berlin Germany contact(a)wachter-jud.net http://www.wachter-jud.net skype: math.jud

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